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Finnish mythology : ウィキペディア英語版
Finnish mythology

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. It has many features shared with fellow Finnic Estonian mythology and its non-Finnic neighbours, the Balts and the Scandinavians. Some of their myths are also distantly related to the myths of other Finno-Ugric speakers like the Samis.
Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century.
Although the gradual influence of surrounding cultures raised the significance of the sky-god in a monolatristic manner, the father god "Ukko" (Old Man) was originally just a nature spirit like all the others. Of the animals, the most sacred was the bear, whose real name was never uttered out loud, lest his kind be unfavorable to the hunting. The bear ("karhu" in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: ''mesikämmen'' ("mead-paw"), ''otso'' ("browed one"), ''kontio'' ("dweller of the land"), ''metsän kultaomena'' ("the golden apple of the forest") but not a god.
==Study of Finnish mythological and religious history==
The first historical mention of Finnish folk religion was by the bishop and Lutheran reformer Mikael Agricola (1510–1555) in the preface to his 1551 Finnish translation of the Psalms.〔Pentikäinen, 1999, p. 7.〕 Agricola supplied a list of purported deities of the Häme (in Swedish, Tavastia) and Karjala (Karelia), twelve deities in each region,〔〔Virtanen & Dubois, pp. 18.〕 with their supposed functions briefly set out in verse form.〔〔Pentikäinen, 1999, p. 236.〕 (Some commentators state that only eleven deities were listed for Häme,〔Talve, 1997, p. 227.〕 not counting Agricola's mention of ''Piru'', the Devil.) Due to the lists, Agricola is considered to be the father of the study of Finnish religious history and mythology.〔〔Pentikäinen, 1999, p. 235.〕 Later scholars and students commonly quoted Agricola's lists as a historical source; only in the late eighteenth century did scholars begin to critically evaluate the "gods" in Agricola's lists and the information he presented about them,〔Pentikäinen, 1999, p. 8.〕 determining with further research that most of the figures in his lists were not gods, but local guardian spirits, figures from folk mythology or explanatory legends, cultural heroes, Christian saints under alternative names, and, in one case, a harvest-time festival.〔
Cristfried Ganander's ''Mythologia Fennica'', published in 1789, was the first truly scholarly foray into Finnish mythology. In the 19th century, research into Finnish folklore intensified. Scholars like Elias Lönnrot, J.F. Cajan, M.A. Castrén, and D.E.D. Europaeus travelled around Finland writing down folk poetry sung by runo (poem) singers. From this material Lönnrot edited the Kalevala as well as the Kanteletar. The wealth of folk poetry collected in the 19th century often deals with pre-Christian pagan themes, and has allowed scholars to study Finnish mythology in more detail.

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